SOMA

is a complex interplay of video projections, sounds, elaborate weavings, and live performances. The content focuses on the changes in Italian society in connection with natural disasters and trauma. The point of departure for their project SOMA was Pier Paolo Pasolini’s 1975 essay Disappearance of the Fireflies, which probes the wrenching transformation that Italian society and the country’s very landscapes have undergone since the 1960s.

The exhibition shows an audio-video installation, two three-channel video installations, a two-channel video installation, 21 weaving works, tables, chairs, objects, and live bodies.  

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